Private company

British Broadcasting Corporation

Logo: British Broadcasting Corporation (BBC), Public domain, via Wikimedia Commons4

British public service broadcaster

The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting House in London, England. Originally established in 1922 as the British Broadcasting Company, it evolved into its current state with its current name on 1 January 1927. It is the oldest and largest local and global broadcaster by stature and by number of employees, with a total staff of 22,000.2 It was founded by George Villiers, 6th Earl of Clarendon and John Reith, 1st Baron Reith.1 Its revenue was £5.9 billion in 2025.1 It is part of Department for Digital, Culture, Media and Sport.1 Wikipedia text CC BY-SA 4.0

Last updated Oct 20, 2026.

Overview

Jan 1, 1927Founded1
  • Industrybroadcasting, journalism, media industry1
  • HeadquartersBroadcasting House, United Kingdom1
  • Websitebbc.com
  • Legal formstatutory corporation1
  • LEI5493000IBP32UQZ0KL243
  • StatusActive3
  • LEI statusIssued and current3
  • Registered addressNEW BROADCASTING HOUSE, W1A 1AA London, United Kingdom3
  • Registered withCompanies House, RC0000573
Broadcasting House 20160816
Photo: Suicasmo, CC BY-SA 4.0, via Wikimedia Commons9

The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting House in London, England. Originally established in 1922 as the British Broadcasting Company, it evolved into its current state with its current name on 1 January 1927. It is the oldest and largest local and global broadcaster by stature and by number of employees, with a total staff of 22,000.2

Corporate structure

British Broadcasting Corporation sits at the top of its group. 45 entities, 6 countries on record. Switch between the flow chart and the network, and select any entity to see its details.

  • British Broadcasting Corporation London, United Kingdom
    • BBC COMMERCIAL LIMITED London, United Kingdom
      • BBC Worldwide Holdings B.V. Subsidiary · 100% · Amsterdam, Netherlands
      • BBC GLOBAL NEWS INDIA PRIVATE LIMITED Subsidiary · New Delhi, India
      • BBC GLOBAL NEWS LIMITED Subsidiary · London, United Kingdom
      • BBC GLOBAL NEWS SINGAPORE PTE. LTD. Subsidiary · Singapore, Singapore
    • 2 Entertain Subsidiary · London
    • BBC Film Subsidiary · Broadcasting House
    • BBC Music Subsidiary · Broadcasting House
    • BBC Oʻzbek Subsidiary
    • BBC Sport Subsidiary · MediaCityUK
    • BBC Studios Subsidiary · London
    • BBC Studioworks Subsidiary · London, United Kingdom
      • BBC STUDIOS PRODUCTIONS LIMITED Subsidiary · London, United Kingdom
    • BBC Turkish Subsidiary
    • BBC Weather Subsidiary · Broadcasting House
    • BBC Worldwide Subsidiary · London, United Kingdom
      • BBC France Subsidiary
      • 2 ENTERTAIN MANAGEMENT LIMITED Subsidiary · London, United Kingdom
      • BBC EARTH PRODUCTIONS (AFRICA) LIMITED Subsidiary · London, United Kingdom
      • BBC EARTH PRODUCTIONS LIMITED Subsidiary · London, United Kingdom
      • BBC Entertainment Subsidiary · United Kingdom
    • BBC Yoruba Subsidiary · Lagos
    • Freesat Subsidiary · United Kingdom
    • YouView Stake · 16.7% · London, United Kingdom
    • 3SixtyMedia Stake · 10% · Manchester
    • BBC Food Subsidiary · United Kingdom
    • BBC German Service Subsidiary
    • BBC Global Disinformation Unit Subsidiary
    • BBC HD Nordics Subsidiary
    • BBC MEDIA ACTION Subsidiary · London, United Kingdom
    • BBC Monitoring Subsidiary · United Kingdom
    • BBC Music Introducing Subsidiary · United Kingdom
    • BBC North Subsidiary · United Kingdom
    • BBC Parliament Subsidiary · United Kingdom
    • BBC PROPERTY DEVELOPMENT LIMITED Subsidiary · London, United Kingdom
    • and 63 more

Built from parent and subsidiary links from GLEIF, the Global Legal Entity Identifier Foundation (CC0); subsidiaries, stakes and holdings from Wikidata (CC0). Each entity in the chart links to its source.

What it owns

What British Broadcasting Corporation reports owning in its annual reports to the SEC: buildings, land and equipment, real estate and locations, investments, intangible assets and inventory, at the end of its latest fiscal year and a year before.

Stakes and holdings (Wikidata)

  • BritBox 50%
  • YouView 16.7%
  • 3SixtyMedia 10%
  • 2 Entertain
  • 2BD
  • BBC 2W
  • BBC Alba
  • BBC Arabic Television
  • BBC Archives
  • BBC Asian Network
  • BBC Choice
  • BBC Domesday Reloaded
  • BBC Film
  • BBC Four
  • BBC Genome
  • BBC HD
  • BBC HD
  • BBC Knowledge
  • BBC Music
  • BBC Music Jazz
  • BBC News
  • BBC News
  • BBC News
  • BBC News Online
All 74 holdings
  • BBC One
  • BBC Online
  • BBC Parliament
  • BBC Persian Television
  • BBC Radio
  • BBC Radio 1
  • BBC Radio 1Xtra
  • BBC Radio 2
  • BBC Radio 2 50s
  • BBC Radio 2 Country
  • BBC Radio 2 Eurovision
  • BBC Radio 3
  • BBC Radio 4
  • BBC Radio 4 Extra
  • BBC Radio 5
  • BBC Radio 5 Live
  • BBC Radio 5 Sports Extra
  • BBC Radio 6 Music
  • BBC Radio Cymru
  • BBC Radio Foyle
  • BBC Radio London
  • BBC Radio Newcastle
  • BBC Radio Orkney
  • BBC Radio Scotland
  • BBC Radio Shetland
  • BBC Radio Ulster
  • BBC Radio Wales
  • BBC Records
  • BBC Red Button
  • BBC School Radio
  • BBC Scotland
  • BBC South Asia
  • BBC Sport
  • BBC Switch
  • BBC Things
  • BBC Three
  • BBC Two
  • BBC Wales headquarters building
  • BBC Weather
  • BBC WebWise
  • BBC World Service
  • BBC Worldwide
  • BBC Yoruba
  • Broadcasting House
  • CBBC
  • Freesat
  • On This Day
  • Pebble Mill Studios
  • Radio 4 News FM
  • Television Centre

Things Wikidata records the company as owning, with the share when stated.1

The story

Founded by George Villiers, 6th Earl of Clarendon and John Reith, 1st Baron Reith on Jan 1, 1927.1

1920–1922: The birth of British broadcasting

Britain's first live public broadcast was made from the factory of Marconi Company in Chelmsford in June 1920. It was sponsored by the Daily Mail's Alfred Harmsworth, 1st Viscount Northcliffe and featured the famous Australian soprano Dame Nellie Melba. The Melba broadcast caught the people's imagination and marked a turning point in the British public's attitude to radio. However, this public enthusiasm was not shared in official circles where such broadcasts were held to interfere with important military and civil communications. By late 1920, the pressure from these quarters and uneasiness among the staff of the licensing authority, the General Post Office (GPO), was sufficient to lead to a ban on further Chelmsford broadcasts.

But by 1922 the GPO had received nearly 100 broadcast licence requests and moved to rescind its ban in the wake of a petition by 63 wireless societies with over 3,000 members. Anxious to avoid the same chaotic expansion experienced in the United States, the GPO proposed that it would issue a single broadcasting licence to a company jointly owned by a consortium of leading wireless receiver manufacturers, to be known as the British Broadcasting Company Ltd, which was formed on 18 October 1922. John Reith, a Scottish Calvinist, was appointed its general manager in December 1922 a few weeks after the company made its first official broadcast. L. Stanton Jefferies was its first director of music. The company was to be financed by a royalty on the sale of BBC wireless receiving sets from approved domestic manufacturers. To this day, the BBC aims to follow the Reithian directive to "inform, educate and entertain".

1923–1926: From private company to public service corporation

The financial arrangements soon proved inadequate. Set sales were disappointing as amateurs made their own receivers and listeners bought rival unlicensed sets. By mid-1923, discussions between the GPO and the BBC had become deadlocked and the Postmaster General commissioned a review of broadcasting by the Sykes Committee. The committee recommended a short-term reorganisation of licence fees with improved enforcement to address the BBC's immediate financial distress, and an increased share of the licence revenue split between it and the GPO. This was to be followed by a simple 10 shillings licence fee to fund broadcasts. The BBC's broadcasting monopoly was made explicit for the duration of its current broadcast licence, as was the prohibition on advertising. To avoid competition with newspapers, Fleet Street persuaded the government to ban news bulletins before 7 pm and the BBC was required to source all news from external wire services. The Radio Times, the world's first and longest-running radio and television listings magazine, was launched by Reith in September 1923. The first edition, subtitled "The official organ of the BBC", was priced at tuppence (two pence) on newsstands, and quickly sold out its run of a quarter of a million copies.

Mid-1925 found the future of broadcasting under further consideration, this time by the Crawford committee. By now the BBC, under Reith's leadership, had forged a consensus favouring a continuation of the unified (monopoly) broadcasting service, but more money was still required to finance rapid expansion. Wireless manufacturers were anxious to exit the loss-making consortium, and Reith was keen that the BBC be seen as a public service rather than a commercial enterprise. The recommendations of the Crawford Committee were published in March the following year and were still under consideration by the GPO when the 1926 United Kingdom general strike broke out in May. The strike temporarily interrupted newspaper production, and with restrictions on news bulletins waived, the BBC suddenly became the primary source of news for the duration of the crisis.

The crisis placed the BBC in a delicate position. On the one hand Reith was acutely aware that the government might exercise its right to commandeer the BBC at any time as a mouthpiece of the government if the BBC were to step out of line, but on the other he was anxious to maintain public trust by appearing to be acting independently. The government was divided on how to handle the BBC, but ended up trusting Reith, whose opposition to the strike mirrored the PM's own. Although Winston Churchill in particular wanted to commandeer the BBC to use it "to the best possible advantage", Reith wrote that Stanley Baldwin's government wanted to be able to say "that they did not commandeer [the BBC], but they know that they can trust us not to be really impartial". Thus the BBC was granted sufficient leeway to pursue the government's objectives largely in a manner of its own choosing. Supporters of the strike nicknamed the BBC the BFC for British Falsehood Company. Reith personally announced the end of the strike which he marked by reciting from Blake's "Jerusalem" signifying that England had been saved.

While the BBC tends to characterise its coverage of the general strike by emphasising the positive impression created by its balanced coverage of the views of government and strikers, Seaton has characterised the episode as the invention of "modern propaganda in its British form". Reith argued that trust gained by 'authentic impartial news' could then be used. Impartial news was not necessarily an end in itself.

The BBC did well out of the crisis, which cemented a national audience for its broadcasting, and it was followed by the Government's acceptance of the recommendation made by the Crawford Committee (1925–26) that the British Broadcasting Company be replaced by a non-commercial, Crown-chartered organisation: the British Broadcasting Corporation.

1927–1939

The British Broadcasting Corporation came into existence on 1 January 1927, and Reith – newly knighted – was appointed its first director general. To represent its purpose and (stated) values, the new corporation adopted the coat of arms, including the motto "Nation shall speak peace unto Nation".

Read the full text

British radio audiences had little choice apart from BBC's programming approach. Reith was viewed as taking a moralistic approach as an executive, aiming to broadcast "all that is best in every department of human knowledge, endeavour and achievement", and putting the programming in moral or ethical terms, advocating "a high moral tone" as "obviously of paramount importance". Reith succeeded in building a high wall against a more tabloid, free-for-all in radio aimed at merely attracting the largest audience (and advertising revenue). There was no paid advertising on the BBC; all the revenue came from a tax on receiving sets. Highbrow audiences, however, greatly enjoyed it. At a time when American, Australian and Canadian stations were drawing huge audiences cheering for their local teams with the broadcast of baseball, rugby and hockey, the BBC emphasised service for a national rather than a regional audience. Boat races were well covered along with tennis and horse racing, but the BBC was reluctant to spend its severely limited air time on long football or cricket games, regardless of their popularity.

John Reith and the BBC, with support from the Crown, determined the universal needs of the people of Britain and broadcast content according to these perceived standards. Reith effectively censored anything that he felt would be harmful, directly or indirectly. While recounting his time with the BBC in 1935, Raymond Postgate claims that BBC broadcasters were made to submit a draft of their potential broadcast for approval. It was expected that they tailored their content to accommodate the modest, church-going elderly or a member of the Clergy. Until 1928, entertainers broadcasting on the BBC, both singers and "talkers" were expected to avoid biblical quotations, Clerical impersonations and references, references to drink or Prohibition in the United States, vulgar and doubtful matter and political allusions. The BBC excluded popular foreign music and musicians from its broadcasts, while promoting British alternatives. On 5 March 1928, Stanley Baldwin, the Prime Minister, maintained the censorship of editorial opinions on public policy, but allowed the BBC to address matters of religious, political or industrial controversy. The resulting political "talk series", designed to inform England on political issues, were criticised by members of parliament, including Winston Churchill, David Lloyd George and Sir Austen Chamberlain. Those who opposed these chats claimed that they silence the opinions of those in Parliament who are not nominated by Party Leaders or Party Whips, thus stifling independent, non-official views. In October 1932, the policemen of the Metropolitan Police Federation marched in protest at a proposed pay cut. Fearing dissent within the police force and public support for the movement, the BBC censored its coverage of the events, only broadcasting official statements from the government.

Throughout the 1930s political broadcasts had been monitored by the BBC. In 1935, the BBC censored the broadcasts of Oswald Mosley and Harry Pollitt. Mosley was a leader of the British Union of Fascists, and Pollitt a leader of the Communist Party of Great Britain. They were contracted to provide a series of five broadcasts on their parties' politics. The BBC, in conjunction with The Foreign Office of Britain, suspended this series and ultimately cancelled it without the notice of the public. Some politicians faced censorship. In 1938, Winston Churchill proposed a series of talks regarding British domestic and foreign politics and affairs but was censored. The censorship of political discourse by the BBC started the shutdown of the political debate that manifested over the BBC's wartime airwaves. The Foreign Office maintained that the public should not be aware of their role in the censorship. From 1935 to 1939, the BBC attempted to unite the British Empire's radio waves, sending staff to Egypt, Palestine, Newfoundland, Jamaica, India, Canada and South Africa. Reith visited South Africa, lobbying for state-run radio programmes accepted by South African Parliament in 1936. A similar programme was adopted in Canada. Through collaboration with these state-run broadcasting centres, Reith had an influence on the culture across the empire of Great Britain with his departure from the corporation in 1938.

Experimental television broadcasts were started in 1929 using an electromechanical 30-line system developed by John Logie Baird. Limited regular broadcasts using this system began in 1932, and an expanded service (now named the BBC Television Service) started from Alexandra Palace in November 1936, alternating between an improved Baird mechanical 240-line system and the all-electronic 405-line Marconi-EMI system which had been developed by an EMI research team led by Sir Isaac Shoenberg. The superiority of the electronic system saw the mechanical system dropped early the following year, with the Marconi-EMI system the first fully electronic television system in the world to be used in regular broadcasting.

BBC versus other media

The success of broadcasting provoked animosities between the BBC and well-established media such as theatres, concert halls and the recording industry. By 1929, the BBC complained that the agents of many comedians refused to sign contracts for broadcasting, because they feared it harmed the artist "by making his material stale" and that it "reduces the value of the artist as a visible music-hall performer". On the other hand, the BBC was "keenly interested" in a cooperation with the recording companies who "in recent years... have not been slow to make records of singers, orchestras, dance bands, etc. who have already proved their power to achieve popularity by wireless." Radio plays were so popular that the BBC had received 6,000 manuscripts by 1929, most of them written for stage and of little value for broadcasting: "Day in and day out, manuscripts come in, and nearly all go out again through the post, with a note saying 'We regret, etc.'" In the 1930s music broadcasts also enjoyed great popularity, for example the friendly and wide-ranging BBC Theatre Organ broadcasts at St George's Hall, London by Reginald Foort, who held the official role of BBC Staff Theatre Organist from 1936 to 1938.

Second World War

Television broadcasting was suspended from 1 September 1939 to 7 June 1946, during World War II, and it was left to BBC Radio broadcasters such as Reginald Foort to keep the nation's spirits up. The BBC moved most of its radio operations out of London, initially to Bristol, and then to Bedford. Concerts were broadcast from the Bedford Corn Exchange; the Trinity Chapel in St Paul's Church, Bedford was the studio for the Daily Service (a daily 15-minute religious service first broadcast on the BBC in 1928 which continues today) from 1941 to 1945, and, in the darkest days of the war in 1941, the Archbishops of Canterbury and York came to St Paul's to broadcast to the UK and the world on the National Day of Prayer. BBC employees during the war included George Orwell who spent two years with the broadcaster.

During his role as prime minister during the war, Winston Churchill delivered 33 major wartime speeches by radio, all of which were carried by the BBC within the UK. On 18 June 1940, French general Charles de Gaulle, in exile in London as the leader of the Free French, made a speech, broadcast by the BBC, urging the French people not to capitulate to the Nazis. In October 1940, Princesses Elizabeth and Margaret made their first radio broadcast for the BBC's Children's Hour, addressing other children who had been evacuated from cities.

In 1938, John Reith and the Government of the United Kingdom, specifically the Ministry of Information which had been set up for WWII, designed a censorship apparatus for the inevitability of war. Due to the BBC's advancements in shortwave radio technology, the corporation could broadcast across the world during the Second World War. Within Europe, the BBC European Service would gather intelligence and information regarding the current events of the war in English. Regional BBC workers, based on their regional geo-political climate, would then further censor the material their broadcasts would cover. Nothing was to be added outside the preordained news items. For example, the BBC Polish Service was heavily censored due to fears of jeopardising relations with the Soviet Union. Controversial topics, i.e. the contested Polish and Soviet border, the deportation of Polish citizens, the arrests of Polish Home Army members and the Katyn massacre, were not included in Polish broadcasts. American radio broadcasts were broadcast across Europe on BBC channels. This material also passed through the BBC's censorship office, which surveilled and edited American coverage of British affairs. By 1940, across all BBC broadcasts, music by composers from enemy nations was censored. In total, 99 German, 38 Austrian and 38 Italian composers were censored. The BBC argued that like the Italian or German languages, listeners would be irritated by the inclusion of enemy composers. Any potential broadcasters said to have pacifist, communist or fascist ideologies were not allowed on the BBC's airwaves. In 1937, a MI5 security officer was given a permanent office within the organisation. This officer would examine the files of potential political subversives and mark the files of those deemed a security risk to the organisation, blacklisting them. This was often done on spurious grounds; even so, the practice would continue and expand during the years of the Cold War.

Later 20th century

There was a widely reported urban myth that, upon resumption of the BBC television service after the war, announcer Leslie Mitchell started by saying, "As I was saying before we were so rudely interrupted...". In fact, the first person to appear when transmission resumed was Jasmine Bligh and the words said were, "Good afternoon, everybody. How are you? Do you remember me, Jasmine Bligh...?" The European Broadcasting Union was formed on 12 February 1950, in Torquay with the BBC among the 23 founding broadcasting organisations.

Competition to the BBC was introduced in 1955, with the commercial and independently operated television network of Independent Television (ITV). However, the BBC monopoly on radio services would persist until 8 October 1973 when under the control of the newly renamed Independent Broadcasting Authority (IBA), the UK's first Independent local radio station, LBC came on-air in the London area. As a result of the Pilkington Committee report of 1962, in which the BBC was praised for the quality and range of its output, and ITV was very heavily criticised for not providing enough quality programming, the decision was taken to award the BBC a second television channel, BBC2, in 1964, renaming the existing service BBC1. BBC2 used the higher resolution 625-line standard which had been standardised across Europe. BBC2 was broadcast in colour from 1 July 1967 and was joined by BBC1 and ITV on 15 November 1969. The 405-line VHF transmissions of BBC1 (and ITV) were continued for compatibility with older television receivers until 1985.

Starting in 1964, a series of pirate radio stations (starting with Radio Caroline) came on the air and forced the British government finally to regulate radio services to permit nationally based advertising-financed services. In response, the BBC reorganised and renamed their radio channels. On 30 September 1967, the Light Programme was split into Radio 1 offering continuous "Popular" music and Radio 2 more "Easy Listening". The "Third" programme became Radio 3 offering classical music and cultural programming. The Home Service became Radio 4 offering news, and non-musical content such as quiz shows, readings, dramas and plays. As well as the four national channels, a series of local BBC radio stations were established in 1967, including Radio London. In 1969, the BBC Enterprises department was formed to exploit BBC brands and programmes for commercial spin-off products. In 1979, it became a wholly owned limited company, BBC Enterprises Ltd.

In 1974 the BBC's teletext service, Ceefax, was introduced, created initially to provide subtitling, but developed into a news and information service. In 1978, BBC staff went on strike just before the Christmas, thus blocking out the transmission of both channels and amalgamating all four radio stations into one. Since the deregulation of the UK television and radio market in the 1980s, the BBC has faced increased competition from the commercial sector (and from the advertiser-funded public service broadcaster Channel 4), especially on satellite television, cable television, and digital television services. In the late 1980s, the BBC began a process of divestment by spinning off and selling parts of its organisation. In 1988, it sold off the Hulton Press Library, a photographic archive which had been acquired from the Picture Post magazine by the BBC in 1957. The archive was sold to Brian Deutsch and is now owned by Getty Images. In 1987, the BBC decided to centralise its operations by the management team with the radio and television divisions joining forces together for the first time, the activities of the news and currents departments and coordinated jointly under the new directorate. During the 1990s, this process continued with the separation of certain operational arms of the corporation into autonomous but wholly owned subsidiaries, with the aim of generating additional revenue for programme-making. BBC Enterprises was reorganised and relaunched in 1995, as BBC Worldwide Ltd. In 1998, BBC studios, outside broadcasts, post production, design, costumes and wigs were spun off into BBC Resources Ltd.

From Wikipedia’s article on BBC, shared under CC BY-SA 4.0.5

Leadership

Who has led British Broadcasting Corporation, and when. Pick a name to see everywhere that person has worked.

Board members and other officers (1)

Products and brands

  • broadcasting
  • radio broadcasting

Listed on Wikidata.1

Television

The BBC operates several television channels nationally and internationally. BBC One and BBC Two are the flagship television channels. Others include the youth channel BBC Three, cultural and documentary channel BBC Four, the British and international variations of the BBC News channel, parliamentary channel BBC Parliament, and two children's channels, CBBC and CBeebies. Digital television is now entrenched in the UK, with analogue transmission completely phased out as of December 2012.

BBC One is a regionalised TV service which provides opt-outs throughout the day for local news and other local programming. These variations are more pronounced in the BBC "Nations", i.e. Northern Ireland, Scotland and Wales, where the presentation is mostly carried out locally on BBC One and Two, and where programme schedules can vary considerably from that of the network. BBC Two variations exist in the Nations; however, English regions today rarely have the option to opt out as regional programming now exists only on BBC One. In 2019, the Scottish variation of BBC Two ceased operation and was replaced with the networked version in favour of a new BBC Scotland channel. BBC Two was the first channel to be transmitted on 625 lines, in 1964. It then carried a small-scale regular colour service from 1967. BBC One followed in November 1969.

A new Scottish Gaelic television channel, BBC Alba, was launched in September 2008. It is also the first multi-genre channel to come entirely from Scotland with almost all of its programmes made in Scotland. The service was initially available only via satellite but since June 2011 has been available to viewers in Scotland on Freeview and cable television.

The BBC currently operates HD simulcasts of all its nationwide channels with the exception of BBC Parliament. Until 26 March 2013, a separate channel called BBC HD was available, in place of BBC Two HD. It launched on 15 May 2006, following a 12-month trial of the broadcasts. It became a proper channel in 2007, and screened HD programmes as simulcasts of the main network, or as repeats. The corporation has been producing programmes in the format for many years, and stated that it hoped to produce 100% of new programmes in HDTV by 2010. On 3 November 2010, a high-definition simulcast of BBC One was launched, entitled BBC One HD, and BBC Two HD launched on 26 March 2013, replacing BBC HD. Scotland's new television channel, BBC Scotland, launched in February 2019.

Read the full text

In the Republic of Ireland, Belgium, the Netherlands and Switzerland, the BBC channels are available in a number of ways. In these countries digital and cable operators carry a range of BBC channels. These include BBC One, BBC Two, BBC Four and BBC News, although viewers in the Republic of Ireland may receive BBC services via overspill from transmitters in Northern Ireland or Wales, or via "deflectors"—transmitters in the Republic which rebroadcast broadcasts from the UK, received off-air, or from digital satellite.

Since 1975 the BBC has also provided its TV programmes to the British Forces Broadcasting Service (BFBS), allowing members of UK military serving abroad to watch them on four dedicated TV channels. From 27 March 2013, BFBS will carry versions of BBC One and BBC Two, which will include children's programming from CBBC, as well as carrying programming from BBC Three on a new channel called BFBS Extra.

Since 2008 all BBC channels are available to watch online through the BBC iPlayer service. This online streaming ability came about following experiments with live streaming, involving streaming certain channels in the UK. In February 2014, Director-General Tony Hall announced that the corporation needed to save £100 million. In March 2014, the BBC confirmed plans for BBC Three to become an internet-only channel.

BBC Genome Project

In December 2012 the BBC completed a digitisation exercise, scanning the listings of all BBC programmes from an entire run of about 4,500 copies of the Radio Times magazine from the first, 1923, issue to 2009 (later listings already being held electronically), the "BBC Genome project", with a view to creating an online database of its programme output. An earlier ten months of listings are to be obtained from other sources. They identified about five million programmes, involving 8.5 million actors, presenters, writers and technical staff. The Genome project was opened to public access on 15 October 2014, with corrections to OCR errors and changes to advertised schedules being crowdsourced.

Radio

The BBC has ten radio stations serving the whole of the UK, a further seven stations in the "national regions" (Wales, Scotland, and Northern Ireland), and 39 other local stations serving defined areas of England. Of the ten national stations, five are major stations and are available on FM or AM as well as on DAB and online. These are BBC Radio 1, offering new contemporary music and popular styles and being notable for its chart show; BBC Radio 2, playing adult contemporary, country and soul music amongst many other genres; BBC Radio 3, presenting classical and jazz music together with some spoken-word programming of a cultural nature in the evenings; BBC Radio 4, focusing on news, factual and other speech-based programming, including drama and comedy; and BBC Radio 5 Live, broadcasting 24-hour news, sport and talk programming.

In addition to these five stations, the BBC runs a further five stations that broadcast on DAB and online only. These stations supplement and expand on the big five stations, and were launched in 2002. BBC Radio 1Xtra sisters Radio 1, and broadcasts new Black music and urban tracks. BBC Radio 5 Sports Extra sisters 5 Live and offers extra sport analysis, including broadcasting sports that previously were not covered. BBC Radio 6 Music offers alternative music genres and is notable as a platform for new artists. BBC Radio 7, later renamed BBC Radio 4 Extra, provides archive drama, comedy and children's programming. The final station is the BBC Asian Network, providing music, talk and news to this section of the community. This station evolved out of Local radio stations serving certain areas, and as such this station is available on medium wave frequency in some areas of the Midlands.

As well as the national stations, the BBC also provides 40 BBC Local Radio stations in England and the Channel Islands, each named for and covering a particular city and its surrounding area (e.g. BBC Radio Bristol), county or region (e.g. BBC Three Counties Radio), or geographical area (e.g. BBC Radio Solent covering the central south coast). A further six stations broadcast in what the BBC terms "the national regions": Wales, Scotland, and Northern Ireland. These are BBC Radio Wales (in English), BBC Radio Cymru (in Welsh), BBC Radio Scotland (in English), BBC Radio nan Gàidheal (in Scottish Gaelic), BBC Radio Ulster, and BBC Radio Foyle, the latter being an opt-out station from Radio Ulster for the north-west of Northern Ireland.

The BBC's UK national channels are also broadcast in the Channel Islands and the Isle of Man (although these Crown Dependencies are outside the UK), and in the former there are two local stations – BBC Radio Guernsey and BBC Radio Jersey. There is no BBC local radio station, however, in the Isle of Man, partly because the island has long been served by the popular independent commercial station, Manx Radio, which predates the existence of BBC Local Radio. BBC services in the dependencies are financed from television licence fees which are set at the same level as those payable in the UK, although collected locally. This is the subject of some controversy in the Isle of Man since, as well as having no BBC Local Radio service, the island also lacks a local television news service analogous to that provided by BBC Channel Islands.

For a worldwide audience the BBC World Service provides news, current affairs and information in more than 40 languages, including English, around the world, and is available in over 150 capital cities, making it the world's largest external broadcaster in terms of reception area, language selection and audience reach. It is broadcast worldwide on shortwave radio, DAB and online and has an estimated weekly audience of 192 million, and its websites have an audience of 38 million people per week. Since 2005, it is also available on DAB in the UK, a step not taken before, due to the way it is funded. Following the Government's spending review in 2011, the service was funded for the first time through the Licence fee. In recent years, some services of the World Service have been reduced: the Thai service ended in 2006, as did the Eastern European languages. Resources were diverted instead into the new BBC News Arabic.

Historically the BBC was the only legal radio broadcaster based in the UK mainland until 1967, when University Radio York, then under the name Radio York, was launched as the first, and now oldest, legal independent radio station in the country. However, the BBC did not enjoy a complete monopoly before this, as several Continental stations, such as Radio Luxembourg, had broadcast programmes in English to Britain since the 1930s and the Isle of Man-based Manx Radio began in 1964. Today, despite the advent of commercial broadcasting, BBC radio stations remain among the most listened-to in the country. Radio 2 has the largest audience share (up to 16.8% in 2011–12) and Radios 1 and 4 ranked second and third in terms of weekly reach.

BBC programming is also available to other services and in other countries. Since 1943, the BBC has provided radio programming to the British Forces Broadcasting Service, which broadcasts in countries where British troops are stationed. BBC Radio 1 is also carried in Canada on SiriusXM (online streaming only). The BBC is a patron of the Radio Academy, a registered UK charity that promotes excellence in broadcasting.

News

BBC News is the largest broadcast news gathering operation in the world, providing services to BBC domestic radio as well as television networks such as the BBC News, BBC Parliament and BBC News International. In addition to this, news stories are available on the BBC Red Button service and BBC News Online. In addition to this, the BBC has been developing new ways to access BBC News and as a result, has launched the service on BBC Mobile, making it accessible to mobile phones and PDAs, as well as developing alerts by email, on digital television, and on computers through a desktop alert.

Ratings figures suggest that during major incidents such as the 7 July 2005 London bombings or royal events, the UK audience overwhelmingly turns to the BBC's coverage as opposed to its commercial rivals. On 7 July 2005, the day there were a series of coordinated bomb blasts on London's public transport system, the BBC Online website recorded an all time bandwidth peak of 11 Gb/s at 12.00 on 7 July. BBC News received some 1 billion total hits on the day of the event (including all images, text, and HTML), serving some 5.5 terabytes of data. At peak times during the day, there were 40,000-page requests per second for the BBC News website. The previous day's announcement of the 2012 Summer Olympics being awarded to London caused a peak of about 5 Gbit/s. The previous all-time high at BBC Online was caused by the announcement of the Michael Jackson verdict, which used 7.2 Gbit/s.

Internet

The BBC's online presence includes a comprehensive news website and archive. The BBC's first official online service was the BBC Networking Club, which was launched on 11 May 1994. The service was subsequently relaunched as BBC Online in 1997, before being renamed BBCi, then bbc.co.uk, before it was rebranded back as BBC Online. The website is funded by the Licence fee, but uses GeoIP technology, allowing advertisements to be carried on the site when viewed outside the UK. The BBC claims the site to be "Europe's most popular content-based site" and states that 13.2 million people in the UK visit the site's more than two million pages each day.

The centre of the website is the Homepage, which features a modular layout. Users can choose which modules, and which information, is displayed on their homepage, allowing the user to customise it. This system was first launched in December 2007, becoming permanent in February 2008, and has undergone a few aesthetical changes since then. The home page then has links to other micro-sites, such as BBC News Online, Sport, Weather, TV, and Radio. As part of the site, every programme on BBC Television or Radio is given its own page, with bigger programmes getting their own micro-site, and as a result it is often common for viewers and listeners to be told URLs for the programme website.

Another large part of the site also allows users to watch and listen to most Television and Radio output live and for seven days after broadcast using the BBC iPlayer platform, which launched on 27 July 2007, and initially used peer-to-peer and DRM technology to deliver both radio and TV content of the last seven days for offline use for up to 30 days, since then video is now streamed directly. Also, through participation in the Creative Archive Licence group, bbc.co.uk allowed legal downloads of selected archive material via the internet.

The BBC has often included learning as part of its online service, running services such as BBC Jam, Learning Zone Class Clips and also runs services such as BBC WebWise and First Click which are designed to teach people how to use the internet. BBC Jam was a free online service, delivered through broadband and narrowband connections, providing high-quality interactive resources designed to stimulate learning at home and at school. Initial content was made available in January 2006; however, BBC Jam was suspended on 20 March 2007 due to allegations made to the European Commission that it was damaging the interests of the commercial sector of the industry.

In recent years some major on-line companies and politicians have complained that BBC Online receives too much funding from the television licence, meaning that other websites are unable to compete with the vast amount of advertising-free on-line content available on BBC Online. Some have proposed that the amount of licence fee money spent on BBC Online should be reduced—either being replaced with funding from advertisements or subscriptions, or a reduction in the amount of content available on the site. In response to this the BBC carried out an investigation, and has now set in motion a plan to change the way it provides its online services. BBC Online will now attempt to fill in gaps in the market, and will guide users to other websites for currently existing market provision. (For example, instead of providing local events information and timetables, users will be guided to outside websites already providing that information.) Part of this plan included the BBC closing some of its websites, and rediverting money to redevelop other parts.

On 26 February 2010 The Times claimed that Mark Thompson, Director General of the BBC, proposed that the BBC's web output should be cut by 50%, with online staff numbers and budgets reduced by 25% in a bid to scale back BBC operations and allow commercial rivals more room. On 2 March 2010, the BBC reported that it would cut its website spending by 25% and close BBC 6 Music and Asian Network, as part of Mark Thompson's plans to make "a smaller, fitter BBC for the digital age".

Interactive television

BBC Red Button is the brand name for the BBC's interactive television services, which are available through Freeview (digital terrestrial), as well as Freesat, Sky UK (satellite), and Virgin Media (cable). Unlike Ceefax, the service's analogue counterpart, BBC Red Button is able to display full-colour graphics, photographs, and video, as well as programmes and can be accessed from any BBC channel. The service carries News, Weather and Sport 24 hours a day, but also provides extra features related to programmes specific at that time. Examples include viewers to play along at home to gameshows, to give, voice and vote on opinions to issues, as used alongside programmes such as Question Time. At some points in the year, when multiple sporting events occur, some coverage of less mainstream sports or games are frequently placed on the Red Button for viewers to watch. Frequently, other features are added unrelated to programmes being broadcast at that time, such as the broadcast of the Doctor Who animated episode Dreamland in November 2009.

Music

The BBC employs 5 staff orchestras, a professional choir, and supports two amateur choruses, based in BBC venues across the UK; the BBC Symphony Orchestra, the BBC Singers and BBC Symphony Chorus based in London, the BBC Scottish Symphony Orchestra in Glasgow, the BBC Philharmonic in Salford, the BBC Concert Orchestra based in Watford, and the BBC National Orchestra of Wales in Cardiff. It also buys a selected number of broadcasts from the Ulster Orchestra in Belfast and the BBC Big Band.

The BBC Proms have been produced by the BBC every year since 1927, stepping in to fund the popular eight-week summer classical music festival when music publishers Chappell and Co withdrew their support. In 1930, the newly formed BBC Symphony Orchestra gave all 49 Proms, and have performed at every Last Night of the Proms since then. The Proms have been held at the Royal Albert Hall since 1941, and the BBC's orchestras and choirs are the backbone of the festival, giving about 40% to 50% of all performances each season.

Many famous musicians of every genre have played at the BBC, such as The Beatles (Live at the BBC is one of their many albums). The BBC is also responsible for the broadcast of the Glastonbury Festival and the Reading and Leeds Festivals, and it has participated in the Eurovision Song Contest representing the United Kingdom for over 60 years. The BBC also operates the division of BBC Audiobooks sometimes found in association with Chivers Audiobooks.

Other

The BBC operates other ventures as well as its broadcasting arm. In addition to broadcasting output on television and radio, some programmes are also displayed on the BBC Big Screens in several central-city locations. The BBC and the Foreign, Commonwealth and Development Office also jointly run BBC Monitoring, which monitors radio, television, the press and the internet worldwide. The BBC also developed several computers throughout the 1980s, most notably the BBC Micro (created as part of the BBC Computer Literacy Project, which foreshadowed the coming microcomputer revolution and its effect on the economy, industry, and society of the United Kingdom), which ran alongside the corporation's educational aims and programming, starting with The Computer Programme broadcast in 1982. The National Museum of Computing at Bletchley Park uses BBC Micros as part of a scheme to educate school children about computer programming.

In 1951, in conjunction with Oxford University Press, the BBC published The BBC Hymn Book, intended to be used by radio listeners to follow hymns being broadcast. The book was published both with and without music, the music edition being entitled The BBC Hymn Book with Music. The book contained 542 popular hymns.

From Wikipedia’s article on BBC, shared under CC BY-SA 4.0.5

Subsidiaries and ownership

Parent company

  • Department for Digital, Culture, Media and Sport

Subsidiaries

Divisions

Also owns

  • BritBox 50%
  • YouView 16.7%
  • 3SixtyMedia 10%
  • 2 Entertain
  • 2BD
  • BBC Alba
  • BBC Arabic Television
  • BBC Archives
  • BBC Asian Network
  • BBC Choice
  • BBC Domesday Reloaded
  • BBC Genome
  • BBC HD
  • BBC Knowledge
  • BBC Music
  • BBC Music Jazz
  • BBC News Online
  • BBC Online
  • BBC Parliament
  • BBC Persian Television
  • BBC Radio 1
  • BBC Radio 1Xtra
  • BBC Radio 2
  • BBC Radio 2 50s
All 62 also owns
  • BBC Radio 2 Country
  • BBC Radio 2 Eurovision
  • BBC Radio 3
  • BBC Radio 4
  • BBC Radio 4 Extra
  • BBC Radio 5
  • BBC Radio 5 Live
  • BBC Radio 5 Sports Extra
  • BBC Radio 6 Music
  • BBC Radio Cymru
  • BBC Radio Foyle
  • BBC Radio London
  • BBC Radio Newcastle
  • BBC Radio Orkney
  • BBC Radio Scotland
  • BBC Radio Shetland
  • BBC Radio Ulster
  • BBC Radio Wales
  • BBC Records
  • BBC Red Button
  • BBC School Radio
  • BBC Scotland
  • BBC South Asia
  • BBC Switch
  • BBC Things
  • BBC Three
  • BBC Wales headquarters building
  • BBC Weather
  • BBC WebWise
  • BBC World Service
  • BBC Yoruba
  • Broadcasting House
  • CBBC
  • Freesat
  • On This Day
  • Pebble Mill Studios
  • Radio 4 News FM
  • Television Centre

Subsidiaries (GLEIF)

Also consolidated

From Wikidata.1 Ownership links from GLEIF, the Global Legal Entity Identifier Foundation (CC0); each one cites its LEI record.

Acquisitions

  1. Succeeded British Broadcasting Company Limited1

Employees over time

British Broadcasting Corporation employees by year121.5K in 2025+4% since 2015
010.0K20.0K30.0K2015: 20.6K20.6K20152016: 20.9K20.9K2016+2%2021: 22.2K22.2K2021+6%2024: 21.8K21.8K2024−2%2025: 21.5K21.5K2025−1%
  • 202521,5081
  • 202421,7951
  • 202122,2191
  • 201620,9161
  • 201520,5911

Revenue over time

As stated on Wikidata, in the currency reported.

Revenue

British Broadcasting Corporation revenue by year15.9B GBP in 2025+14% since 2014
02.0B GBP4.0B GBP6.0B GBP2014: 5.2B GBP5.2B GBP20142016: 5.0B GBP5.0B GBP2016−4%2021: 5.1B GBP5.1B GBP2021+2%2022: 5.3B GBP5.3B GBP2022+5%2023: 5.7B GBP5.7B GBP2023+7%2024: 5.4B GBP5.4B GBP2024−6%2025: 5.9B GBP5.9B GBP2025+9%
  • 20255.9B GBP1
  • 20245.4B GBP1
  • 20235.7B GBP1
  • 20225.3B GBP1
  • 20215.1B GBP1
  • 20165.0B GBP1

Net income

British Broadcasting Corporation net income by year1-112.0M GBP in 2025−10% since 2015
-200.0M GBP-100.0M GBP0100.0M GBP200.0M GBP300.0M GBP2015: -125.0M GBP-125.0M GBP20152016: 59.0M GBP59.0M GBP20162021: 227.0M GBP227.0M GBP2021+285%2022: 206.0M GBP206.0M GBP2022−9%2023: -120.0M GBP-120.0M GBP20232024: 229.0M GBP229.0M GBP20242025: -112.0M GBP-112.0M GBP2025
  • 2025-112.0M GBP1
  • 2024229.0M GBP1
  • 2023-120.0M GBP1
  • 2022206.0M GBP1
  • 2021227.0M GBP1
  • 201659.0M GBP1

Timeline

  1. Jan 1, 1927Founded Founded1