The story
Early origins (1480–1668)
The University of Oxford began printing around 1480 and became a major printer of Bibles, prayer books, and scholarly works. Oxford's chancellor Archbishop William Laud consolidated the legal status of the university's printing in the 1630s and petitioned Charles I for rights that would enable Oxford to compete with the Stationers' Company and the King's Printer. He obtained a succession of royal grants, and Oxford's "Great Charter" in 1636 gave the university the right to print "all manner of books". Laud also obtained the "privilege" from the Crown of printing the King James or Authorized Version of Scripture at Oxford. This privilege created substantial returns over the next 250 years.
Print shop establishment and expansion (1668–1830)
Following the English Civil War, Vice-chancellor John Fell, Dean of Christ Church, Bishop of Oxford, and Secretary to the Delegates was determined to install printing presses in 1668, making it the university's first central print shop. In 1674, OUP began to print a broadsheet calendar, known as the Oxford Almanack, that was produced annually without interruption from 1674 to 2019. Fell drew up the first formal programme for the university's printing, which envisaged hundreds of works, including the Bible in Greek, editions of the Coptic Gospels and works of the Church Fathers, texts in Arabic and Syriac, comprehensive editions of classical philosophy, poetry, and mathematics, a wide range of medieval scholarship, and also "a history of insects, more perfect than any yet Extant."
The early 18th century marked a lull in the press's expansion. It suffered from the absence of any figure comparable to Fell. The business was rescued by the intervention of a single Delegate, William Blackstone. Disgusted by the chaotic state of the press and antagonized by Vice-Chancellor George Huddesford, Blackstone called for sweeping reforms that would firmly set out the Delegates' powers and obligations, officially record their deliberations and accounting, and put the print shop on an efficient footing. The university moved to adopt all of Blackstone's reforms by 1760.
By the late 18th century, the press had become more focused. In 1825, the Delegates bought land on Walton Street. Buildings were constructed from plans drawn up by Daniel Robertson and Edward Blore, and the press moved into them in 1830.
Commercial growth and scholarly publishing (1830–1900)
The press then entered an era of enormous change. In 1830, it was still a joint-stock printing business in an academic backwater, offering learned works to a relatively small readership of scholars and clerics At this time, Thomas Combe joined the press and became the university's Printer until he died in 1872. Combe was a better businessman than most Delegates but still no innovator: he failed to grasp the huge commercial potential of India paper, which grew into one of Oxford's most profitable trade secrets in later years. Even so, Combe earned a fortune through his shares in the business and the acquisition and renovation of the bankrupt paper mill at Wolvercote. Combe showed little interest, however, in producing fine printed work at the press. The best-known text associated with his print shop was the flawed first edition of Alice's Adventures in Wonderland, printed by Oxford at the expense of its author Lewis Carroll (Charles Lutwidge Dodgson) in 1865.
It took the 1850 Royal Commission on the workings of the university and a new Secretary, Bartholomew Price, to shake up the press. Appointed in 1868, Price had already recommended to the university that the press needed an efficient executive officer to exercise "vigilant superintendence" of the business, including its dealings with Alexander Macmillan, who became the publisher for Oxford's printing in 1863 and 1866 helped Price to create the Clarendon Press series of cheap, elementary school books – perhaps the first time that Oxford used the Clarendon imprint. Under Price, the press began to take on its modern shape. Major new lines of work began. For example, in 1875, the Delegates approved the series Sacred Books of the East under the editorship of Friedrich Max Müller, bringing a vast range of religious thought to a wider readership.
Equally, Price moved OUP towards publishing in its own right. The press had ended its relationship with Parker's in 1863 and, in 1870, bought a small London bindery for some Bible work. Macmillan's contract ended in 1880 and was not renewed. By this time, Oxford also had a London warehouse for Bible stock in Paternoster Row, and in 1880, its manager, Henry Frowde (1841–1927), was given the formal title of Publisher to the university. Frowde came from the book trade, not the university, and remained an enigma to many. One obituary in Oxford's staff magazine The Clarendonian admitted, "Very few of us here in Oxford had any personal knowledge of him." Despite that, Frowde became vital to OUP's growth, adding new lines of books to the business, presiding over the massive publication of the Revised Version of the New Testament in 1881 and playing a key role in setting up the press's first office outside Britain, in New York City in 1896.
Price transformed OUP. In 1884, the year he retired as Secretary, the Delegates bought back the last shares in the business. The press was now owned wholly by the university, with its own paper mill, print shop, bindery, and warehouse. Its output had increased to include school books and modern scholarly texts such as James Clerk Maxwell's A Treatise on Electricity & Magnetism (1873), which proved fundamental to Einstein's thought. Without abandoning its traditions or quality of work, Price began to turn OUP into an alert, modern publisher. In 1879, he also took on the publication that led that process to its conclusion: the massive project that became the Oxford English Dictionary (OED).
Read the full text
Offered to Oxford by James Murray and the Philological Society, the "New English Dictionary" was a grand academic and patriotic undertaking. Lengthy negotiations led to a formal contract. Murray was to edit a work estimated to take ten years and to cost approximately £9,000. Both figures were wildly optimistic. The Dictionary began appearing in print in 1884, but the first edition was not completed until 1928, 13 years after Murray's death, costing around £375,000.
The next Secretary, Philip Lyttelton Gell, was appointed by the Vice-Chancellor Benjamin Jowett in 1884 but struggled and was finally dismissed in 1897. The Assistant Secretary, Charles Cannan, was instrumental in Gell's removal. Cannan took over with little fuss and even less affection for his predecessor in 1898: "Gell was always here, but I cannot make out what he did."
Contemporary era (1900-present)
By the early 20th century, OUP expanded its overseas trade, partly due to the efforts of Humphrey Milford, the publisher of the University of Oxford from 1913 to 1945. The 1920s saw skyrocketing prices of both materials and labour. Paper was hard to come by and had to be imported from South America through trading companies. Economies and markets slowly recovered as the 1920s progressed. In 1928, the press's imprint read 'London, Edinburgh, Glasgow, Leipzig, Toronto, Melbourne, Cape Town, Bombay, Calcutta, Madras and Shanghai'. Not all of these were full-fledged branches: in Leipzig, there was a depot run by H. Bohun Beet, and in Canada and Australia, there were small, functional depots in the cities and an army of educational representatives penetrating the rural fastnesses to sell the press's stock as well as books published by firms whose agencies were held by the press, very often including fiction and light reading. In India, the Branch depots in Bombay, Madras, and Calcutta were imposing establishments with sizeable stock inventories, for the Presidencies themselves were large markets, and the educational representatives there dealt mostly with upcountry trade.
In 1923, OUP established a Music Department. At the time, such musical publishing enterprises, however, were rare. OUP bought an Anglo-French Music Company and all its facilities, connections, and resources. This concentration provided OUP two mutually reinforcing benefits: a niche in music publishing unoccupied by potential competitors and a branch of music performance and composition that the English themselves had largely neglected. Hinnells proposes that the early Music Department's "mixture of scholarship and cultural nationalism" in an area of music with largely unknown commercial prospects was driven by its sense of cultural philanthropy (given the press's academic background) and a desire to promote "national music outside the German mainstream." It was not until 1939 that the Music Department showed its first profitable year.
The Depression of 1929 dried profits from the Americas to a trickle, and India became 'the one bright spot' in an otherwise dismal picture. Bombay was the nodal point for distribution to Africa and onward sale to Australasia, and people who trained at the three major depots later moved to pioneer branches in Africa and Southeast Asia. In 1927–1934 Oxford University Press, Inc., New York, was reorganized by Geoffrey Cumberlege to return it to profitability from the lows of the Depression years. (In 1945–1956, Cumberlege would succeed Milford as publisher to the University of Oxford).
By the end of 2021, OUP USA had published eighteen Pulitzer Prize–winning books. In March 2020, during the COVID-19 pandemic, its Bookshop on the High Street closed. On 27 August 2021, OUP closed Oxuniprint, its printing division. The closure marked the final chapter of OUP's centuries-long history of printing.
Clarendon Press
OUP came to be known as "(The) Clarendon Press" when printing moved from the Sheldonian Theatre to the Clarendon Building in Broad Street in 1713. The name continued to be used when OUP moved to its present site in Oxford in 1830. The label "Clarendon Press" took on a new meaning when OUP began publishing books through its London office in the early 20th century. To distinguish the two offices, London books were labelled "Oxford University Press" publications, while those from Oxford were labelled "Clarendon Press" books. This labelling ceased in the 1970s when the London office of OUP closed. Today, OUP reserves "Clarendon Press" as an imprint for Oxford publications of particular academic importance.
From Wikipedia’s article on Oxford University Press, shared under CC BY-SA 4.0.4