The story
Founded by James Rhyne Killian in 1932.1
The MIT Press traces its origins back to 1926 when MIT published a lecture series entitled Problems of Atomic Dynamics by the visiting German physicist and later Nobel Prize winner, Max Born. In 1932, MIT established the imprint Technology Press.
This imprint was founded by James R. Killian, Jr., then editor of MIT's alumni magazine, Technology Review, and later MIT's 11th president. Technology Press published eight titles independently until 1937, when it entered into an arrangement with John Wiley & Sons in which Wiley took over distribution and editorial responsibilities. Wiley and the press published 125 titles together until their association ended in 1962. Since then, the press, a unit of MIT, has published independently of other publishers.
In 1961, Technology Press was renamed the MIT Press, and in 1962 Carroll Bowen was appointed the MIT Press's first director. During his tenure, the press significantly expanded its title output, resulting in higher sales and income from rights licensing. Additionally, Muriel Cooper, the press's inaugural design director, was hired, sparking a visual transformation that established the MIT Press's reputation for innovative and daring design. In 1964, Cooper created the MIT Press's colophon that continues to serve as the brand's identifying symbol.
In 1969, a journals division was added, and in 1970 a European marketing office was opened. Following Bowen's departure the same year, Howard R. Webber was appointed director of the press.
In 1975, Frank Urbanowski was appointed director and brought about new initiatives for the press. In response to the economic downturn, Urbanowski refined MIT Press's publishing strategy. The press focused on publishing deeply within a more limited range of subjects that reflected MIT's strengths. These areas included: architecture and arts, computer science and artificial intelligence, economics/finance, brain and cognitive science, neuroscience, and environmental studies. The MIT Press Bookstore opened in Kendall Square in 1980 to showcase its distinctive publications and serve the Cambridge community.
Between 1992 and 1994, the MIT Press developed an online catalog, one of the first launched by a publisher, and in 1995 published its first fully open access book, City of Bits: Space, Place and the Infobahn by William J. Mitchell. In 1996, the press designed and then deployed CogNet, a prime resource for researchers, academicians, professionals, and students interested in the broad field of study and discourse in cognitive and brain sciences. That same year, the press debuted its first electronic-only journal, Chicago Journal of Theoretical Computer Science.
Frank Urbanowski retired from the MIT Press in 2003, and Ellen Faran became director. In 2011, the MIT Press launched the Essential Knowledge Series, a growing collection of accessible, concise books written by leading thinkers on topics ranging from the cultural and historical to the scientific and technical.
Amy Brand was named Director and Publisher of the MIT Press in 2015. The press transitioned its worldwide sales and distribution to Penguin Random House Publisher Services in July 2020. In 2021, the MIT Press launched Direct to Open, a collective action open access business model for scholarly monographs. This initiative allows the press to make many of its scholarly monographs and edited collections freely available to the public.
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In 2019, the press launched the MIT Press Reader, a digital magazine that draws on the press's archive and family of authors to produce adapted excerpts, interviews, and other original works. The publication "aims to illuminate the bold ideas and voices that make up the Press's expansive catalog, to revisit overlooked passages, and to dive into the stories that inspired the books". The magazine's stories have been republished by outlets including Scientific American, Popular Science, BBC Future, Smithsonian magazine, Time magazine, and others.
From Wikipedia’s article on MIT Press, shared under CC BY-SA 4.0.3