Formerly known as the Team Disney Burbank building, Team Disney – The Michael D. Eisner Building is the main building located at the Walt Disney Studios. Completed in 1990 and designed by Michael Graves, the Team Disney Burbank building contains the office of CEO Josh D'Amaro as well as the boardroom for the board of directors. It also houses offices for members of Senior Management, such as Alan Bergman, chairman of Walt Disney Studios. Prior to the opening of the Team Disney Burbank building in 1990, Disney executives were located in the old Animation building and the Roy O. Disney Building; the animators had been forced to relocate in 1985 into a series of warehouses, trailers, and hangars in nearby Glendale.
The Team Disney structure is sometimes called the "Seven Dwarfs Building". It has large sculpted atlantes of the Seven Dwarfs holding up the roof of the eastern façade, an homage to the animated film Snow White and the Seven Dwarfs, which provided Walt Disney with the revenue to purchase the Burbank lot. Each statue is 19 feet (5.8 meters) tall, with the exception of the 2/3-sized Dopey at top. The building is located opposite the Frank G. Wells building, named for Eisner's former colleague, and president of the Walt Disney Company from 1984 to 1994. In 1996, the building was featured in Hollywood Pictures film Spy Hard. On January 23, 2006, in honor of Michael Eisner's 21-year leadership of the company, the Team Disney building was rededicated as Team Disney – The Michael D. Eisner Building.
Disney Legends Plaza, located between the Team Disney: The Michael D. Eisner building and the Frank G. Wells building, is the central hub for the Disney Legends award and pays homage to its recipients. Dedicated on October 18, 1998, the plaza features the Partners statue of Walt Disney and Mickey Mouse, designed by Imagineer Blaine Gibson, along with a replica statue of Roy O. Disney and Minnie Mouse which can also be found at the Magic Kingdom park.
Located on the pillars in the plaza are bronze plaques featuring receivers of the Disney Legends award. The plaques feature the recipient's name, reason for gaining the award, and the person's handprints and signature if they were alive at the time they received the award. Most famously, Legendary Animator and Imagineer, Ward Kimball's plaque features an extra finger, a reminder of Kimball's sense of humor. If, however, the award was presented posthumously, an image of the Disney Legends statue is engraved instead of the traditional handprints and signature.
Read the full text
The plaza formerly featured a small fountain to honor the Legends, but that was since removed due to water leakage.
Frank G. Wells Building
This building is dedicated to the former president of the Walt Disney Company from 1984 to 1994, Frank G. Wells. Designed by Venturi, Scott Brown and Associates, the building opened in 1998 and was dedicated by Wells's widow Luanne Wells, and company CEO Michael Eisner.
The five-story building has a usable area of 240,518 square feet (22,344.9 m2) with three underground parking levels, accommodating 600 parking spaces. The construction was completed in two phases: phase I in August 1997 and phase II in July 1998. The Frank G. Wells building was specifically designed for Walt Disney Television Animation, and the division formerly had offices located on the third floor. In 2011, the division has since moved to the Grand Central Creative Campus in nearby Glendale, California.
It is distinctly recognizable through its giant movie reel and film strip on the building's exterior. The building is currently home to the Walt Disney Archives, studio mail center, Marvel Studios, the Disney Music Group, a screening room, various multipurpose rooms, and one of the three extant multiplane cameras (which is on display in the lobby). It was formerly home to Walt Disney Television, various management offices, and the human resources department.
The Archives are located on the ground floor and are open to all cast members; they also have additional storage and restricted areas on other floors. The Studio's Starbucks Coffee shop is also located on the ground floor.
Animation Building
The three-story former main building for Walt Disney Animation Studios was completed in 1940, based on a Streamline Moderne design by industrial designer and architect Kem Weber. It is considered the jewel of the original studio buildings. Walt Disney personally supervised the eight-wing "double H" design, ensuring as many rooms as possible had windows, which allowed natural light into the building to help the animators while working. Many Disney animated features were drawn here, including Dumbo (1941), Bambi (1942), Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953), Lady and the Tramp (1955), Sleeping Beauty (1959), One Hundred and One Dalmatians (1961), The Jungle Book (1967), The Aristocats (1970), The Rescuers (1977), and The Fox and the Hound (1981). The animation for The Black Cauldron (1985) was the last to be completed at the site.
The Animation Building initially served as the creative and administrative nucleus for the entire studio. Walt's brother Roy O. Disney, who ran the company's financial operations, shared a wing with the accounting and legal departments on the first floor, which was where the animators, in-betweeners and clean-up artists worked. The D-Wing's ground floor was the longtime domain of Disney's Nine Old Men, and over the years other prominent animators and artists such as Bill Tytla, Fred Moore, Norm Ferguson, Preston Blair, Eyvind Earle, Tyrus Wong, Mary Blair, Andreas Deja, Floyd Norman, John Lasseter, Glen Keane, John Musker and Ron Clements worked in the building. On the second floor were office suites for the directors and studios for the background and layout artists. The story department was located on the third floor, along with offices and a rehearsal room for Disney's composers and arrangers.
Suite 3H, on the third floor of the Animation Building's H-Wing, was Walt's headquarters. The five-room space included his two adjacent offices: a "formal" corner office for signing contracts and meeting with important visitors, and a "working office" where he huddled with key staff to develop ideas for his films, television shows and theme parks. The latter had a kitchenette hidden behind wood paneling that retracted at the touch of a button, as Walt often ate lunch at his desk. Also in the suite was his secretary's office, featuring displays of his numerous awards, and a lounge area where Walt would relax after 5:00 pm with a drink (Scotch Mist was his cocktail of choice) and a back massage from the studio nurse before going home. Walt's suite was closed after his death in 1966 and not reused until 1970, after his personal items had been carefully archived. Over the years these items were used in museum exhibits recreating his offices, primarily at Disney resorts. In 2015, under the auspices of the Walt Disney Archives, Suite 3H was restored as closely as possible to the condition in which Walt left it, with many of the original furnishings and objects. Walt Disney Company CEO Bob Iger dedicated the restoration on December 7 of that year. In 2016 it was opened for viewing by studio employees, special guests, and gold members of the Disney fan club D23.
A little-known feature of the Animation Building was its private rooftop annex, The Penthouse Club, a perk for male employees who could afford its membership fees. It had a gymnasium run by a full-time athletic instructor, a bar, a barber shop, steam baths, massage tables, pool and poker tables, and an outdoor patio which members tended to use for nude sunbathing. The entrance displayed a mural painted by animator Fred Moore depicting a bevy of nude or semi-nude women, surrounding a drunken single man bearing a certain resemblance to Moore himself. By the early 1960s the gym activities had ceased and it became a casual lounge for studio veterans. The Penthouse space has been shuttered for years and the Fred Moore mural removed to an unknown location.
The basement housed the Test Camera Department, which shot test loops of animation drawings in progress. Animators and directors would view these loops on Moviola machines to check the work before submitting it to Ink and Paint.
A utility tunnel linked the Animation Building with the neighboring Ink and Paint Building and the Camera and Cutting departments. It was built to ensure that the original animation drawings and painted cels could be safely transported from one location to another without being exposed to bad weather or other outside elements. The tunnel is still maintained and a length of it is open to D23 tours.
A popular point of interest for studio visitors is "Pluto's Corner", outside the Animation Building's A-Wing at the southwestern end of the block. There one can see three paw prints embedded in the street, curbside beneath a fire hydrant. A hind paw print is missing, humorously suggesting that Pluto used the hydrant to mark his territory. Nearby is the often-photographed signpost indicating the site's location at the corner of Mickey Avenue and Dopey Drive, with directions to various studio departments as they existed in Walt's era. (Today only the street names remain the same). According to longtime Disney archivist Dave Smith, the street sign – the only one of its kind on the Disney lot – was installed as a temporary prop for the "Studio Tour" segment of the Disney feature The Reluctant Dragon (1941) and never removed.
Starting on February 1, 1985, during the production of The Great Mouse Detective (released in 1986), Disney's Animation Department was moved off the Burbank lot into a cluster of old hangars, warehouses, and trailers located about two miles east (3.2 km) in Glendale, at the former site of the Grand Central Airport. Prior to the opening of the Team Disney Burbank building in 1990, Disney executives used the Animation Building as corporate offices. In 1995, animation production moved back to Burbank across the street from the main studios with the opening of the Walt Disney Feature Animation Building. Today, the original Animation Building is used primarily to house offices for various film and television producers who have distribution deals with Disney. Its exterior was a primary location for the 2013 film Saving Mr. Banks, though the interiors (including Walt's offices) were recreated at an outside studio.
Water Tower
Completed in 1939 at a cost of $300,000, the Water Tower was one of the first structures to emerge at the new Disney studio. It stands 135.6 feet (41.3 meters) high and originally held 150,000 gallons of water. Towers such as these provided an emergency water supply in case of fire and were a standard feature of major Hollywood studios of the era, examples of which can still be seen at the Warner Bros., Paramount and Sony Pictures Studios (formerly MGM) lots. Roy Disney, however, insisted that the Disney Studio's water tower be built with six legs instead of the usual four, claiming it was more aesthetically pleasing.
The tower is no longer used for water storage and stands as an identifying symbol of Disney's Burbank studio. In 1984 the top portion of the holding tank was painted white and, for the first time, emblazoned with the image of Mickey Mouse, the official mascot of the Walt Disney Company. It was the model for the Earffel Tower which stood at Disney's Hollywood Studios theme park near Orlando, Florida from 1989 to 2016, and the replica at Walt Disney Studios Park in Disneyland Paris (2002 to the present), though the original has never been decorated with Mickey Mouse ears on top.
The Roy O. Disney Building
The Roy O. Disney building is located next to the animation building and held the office of Roy O. Disney to whom the building is dedicated. The building used to be the main administration building on the studio lot prior to the opening of the Team Disney – The Michael D. Eisner building. Today, it is home to Disney's legal department.
The Annette Funicello Stage, Stage 1
Stage 1 was completed between 1939 and 1940 and is the original Disney soundstage on the Burbank lot. The soundstage was designed to replace a smaller stage at the former Hyperion Avenue Studio. Although the Walt Disney Studios predominantly made animated films, the soundstage was built in order to film Leopold Stokowski's segments in the 1940 film Fantasia. During World War II, the stage was used for repairing army vehicles. The soundstage was formerly dedicated to Fantasia, for it being the first motion picture that was filmed in the building. The stage is the smallest on the lot at 11,000 sq ft. It features a 2400 sq ft underwater tank and is still in active use. On June 24, 2013, it was dedicated to Mousketeer Annette Funicello as it was the original shooting stage for The Mickey Mouse Club.
The Julie Andrews Stage, Stage 2
Constructed from 1947 and opening in April 1949, Stage 2 is the second oldest soundstage on the Walt Disney Studios lot, and at 31,000 feet (9,400 m), one of the largest in Los Angeles. It was built and financed by a joint agreement between Walt Disney and director Jack Webb, who used the stage for the filming of the television series Dragnet. In October 1955, Stage 2 began production on the first series of The Mickey Mouse Club. From 1954 to 1955 and prior to the opening of the facilities at Glendale California, WED Enterprises (now Walt Disney Imagineering) occupied soundstage 2 to build multiple attractions for Disneyland, including the Mark Twain Riverboat. Since then, Stage 2 has been used for the filming of multiple attractions for Walt Disney Parks and Resorts.
During the filming of Armageddon the filmmakers discovered the 40 feet high tall stage was not tall enough to hold one of the "asteroids" seen in the film. The floor was removed and an additional 20 feet was dug down to accommodate the 360-degree set for the scene. In 2001, soundstage 2 was dedicated to English actress Julie Andrews, because parts of Mary Poppins and parts of the then-current filming of The Princess Diaries took place inside this particular soundstage.
Stage 3
Stage 3 was completed in 1953 and designed especially for the film 20,000 Leagues Under the Sea. The stage is 19,000 sq ft and contains an operational 3600 sq ft water tank that is divided into two parts for underwater and special effects filming.
The tank area was also used heavily beginning in the 1960s as Disney pioneered the use of the sodium screen process. In the 1970s, stage 3 was equipped with the first computerized motion control system. The ACES (Animated Camera Effects System) was designed by Disney engineers and broke new ground with technology which has become one of the foundations of current special effects photography.
Stages 4 and 5
Stage 4, which was completed in 1958, was first used for Darby O'Gill and the Little People. Upon completing 30 years of service in 1998, Stage 4 was divided into two new television studios, creating the new Stage 4 and Stage 5. Stage 4 is known as the "Home Improvement stage", as that series was filmed here from 1991 to 1999.
Stages 6 and 7
Stages 6 and 7, built in 1997 are the newest soundstages at the Walt Disney Studios. These audience-rated stages provide comprehensive production support with computer-controlled access, high-volume air-conditioning, and adjoining production support building. They are built on the former "Residential Street" and "Business Street" back-lot (seen in the films Something Wicked This Way Comes (1983), Fright Night (1985), and are located behind the Frank G. Wells Building. Both stages are 15,000 square feet (1,400 m2) each and are in frequent use at the studios. Popular productions here have included, My Wife and Kids, The Muppets, 8 Simple Rules... for Dating My Teenage Daughter, The Geena Davis Show, and Brothers and Sisters.
The Hyperion Bungalow
The Bungalow was built in 1935 as the original home of the Disney Publicity and Comic Strip Departments. It was constructed at the Disney Studios on Hyperion Avenue in Hollywood and moved to the Burbank location as part of the construction process in 1939–1940. At the Disney Burbank lot, the building housed many support services over the years. Payroll, Publicity Support, Traffic and finally the Post Office were located in the building. The structure is the last remaining example of the "California Bungalow" type architecture that remains from the Hyperion studio facility. Its attractive style and utility, dating back to the early years of the company, give it a special place in the history of the Disney lot.
Main Theater
The 419-seat Theater, another original building on the Burbank lot, shows first-run Disney films for studio employees and guests. It has plush stadium seating and has been upgraded over the years to keep pace with new technology in the exhibition of films. Food and drink are not allowed inside.
Throughout its history, the theater has also been used for post-production sound mixing. According to the Disney production services website, "The Main Theater is a state-of-the-art digital sound dubbing and screening facility that was first used to mix the sound for Fantasia [in 1940]. Sound mixers blend dialogue, music, and sound effects tracks to the various levels appropriate for a movie theater. The acoustics are designed to simulate a theater that is three-quarters full. Although the theater is empty during the mixing session, extra padding in the seats and specially designed walls absorb and reflect the sound. This helps the sound mixers to know what the final product will sound like when it is released to the public."
The signage above the entrance says simply "Theatre". The name "Main Theater" is used to distinguish the venue from several smaller screening rooms situated throughout the studio. In Walt's era, these were called "sweatboxes", where animation test reels and the daily rushes of his live-action features were shown for his approval.
Ink and Paint Building
The 1940 Ink and Paint Building was where animators' drawings were inked onto transparent cels and then the cels were painted. It was built with high ceilings and a sophisticated central ventilation system so that the staff members would not be overcome by toxic paint fumes. One section was used as a special paint-mixing laboratory to provide Disney cartoons with the widest possible spectrum of colors. Three interior courtyards provided northern light for the artists and also served as outdoor break areas. It was a self-contained structure with its own cafeteria, lounge, and rooftop sundeck.
The sequestered layout reflected workplace attitudes of the era. As was common in the American animation industry of Disney's day, the Ink and Paint departments were staffed exclusively by women. In the early 1940s, Disney employed over 100 "ink and paint girls" at a starting salary of $18 a week, as opposed to $300 a week for experienced animators. A Disney employment brochure of the time stated: "Women do not do any of the creative work in connection with preparing the cartoons for the screen, as that work is performed entirely by young men...The only work open to women consists of tracing the characters on clear celluloid sheets with India ink and filling in the tracings on the reverse side with paint according to directions." Men and women at the Disney studio were not encouraged to fraternize, and the cloistered atmosphere of the Ink and Paint Building led wags on the lot to call it "The Nunnery".
