Louis B. Mayer

Mayer preferred to say that he was born in Minsk. Bosley Crowther, in an early biography, gave his birthplace as "a little town near Minsk". Other sources cite such places as Demre and Dmra, "a village between Minsk and Vilnius". Charles Higham and Scott Eyman state that Mayer was born in Dymer near Kiev; this accords with what Mayer himself stated in his naturalization filing in 1912, where he gave his birthplace as Dumier, Russia.

According to his personal details in the U.S. immigration documents, the date was July 4, 1885. In addition he gave his birth year as 1882 in his marriage certificate while the April 1910 census states his age as 26 (b.1883). His parents were Jacob and Sarah (née Meltzer) Meir (both Jewish) and he had two sisters — Yetta, born ca. 1878 and Ida, born ca. 1883. Mayer first moved with his family to Long Island, where they lived from 1887 to 1892 and where his two brothers were born—Rubin, in April 1888 and Jeremiah, in April 1891. Then, they moved to Saint John, New Brunswick, where Mayer attended school.

His father started a scrap metal business, J. Mayer & Son. An immigrant unskilled in any trade, he struggled to earn a living. Young Louis quit school at age twelve to work with his father and help support his family. He roamed the streets with a cart that said "Junk Dealer" and collected any scrap metal he came across. When the owner of a tin business, John Wilson, saw him with his cart, he began giving him copper trimmings which were of no use and Mayer considered Wilson to be his first partner and his best friend. Wilson remembered that he was impressed with the boy's good manners and bright personality. Whenever Mayer visited Saint John in later years, he placed flowers on Wilson's grave, just as he did on his mother's.

"It was a crappy childhood", said Mayer's nephew Gerald. His family was poor and Mayer's father spoke little English and had no valuable skills. It thus became young Mayer's ambition and drive that supported the family. With his family speaking mostly Yiddish at home, his goal of self-education when he quit school was made more difficult.

In his spare time, he hung around the York Theatre, sometimes paying to watch the live vaudeville shows. He became enamored of the entertainment business. Then in 1904 the 20-year-old Mayer left Saint John for Boston, where he continued for a time in the scrap metal business, got married and took a variety of odd jobs to support his new family when his junk business lagged.

Mayer renovated the Gem Theater, a rundown, 600 seat burlesque house

in Haverhill, Massachusetts, which he reopened on November 28, 1907, as the Orpheum, his first movie theater. To overcome an unfavorable reputation that the building had, Mayer opened with a religious film at his new Orpheum, From the Manger to the Cross, in 1912. Within a few years, he owned all five of Haverhill's theaters, and, with Nathan H. Gordon, created the Gordon-Mayer partnership that controlled the largest theater chain in New England. During his years in Haverhill, Mayer lived at 16 Middlesex St. in the city's Bradford section, closer to city center at Temple Street and at 2 1/2 Merrimac St. Mayer also lived in a house he built at 27 Hamilton Ave.

In 1914, the partners organized their own film distribution agency in Boston. Mayer paid D.W. Griffith $25,000 for the exclusive rights to show The Birth of a Nation (1915) in New England. Mayer made the bid on a film that one of his scouts had seen, but he had not, although he was well aware of the plot surrounding the Ku Klux Klan; his decision netted him over $100,000. Using earnings from the popularity of The Birth of a Nation, Mayer partnered with Richard A. Rowland in 1916 to create Metro Pictures Corporation, a talent booking agency, in New York City.

Two years later, Mayer moved to Los Angeles and formed his own production company, Louis B. Mayer Pictures Corporation. The first production was 1918's Virtuous Wives. A partnership was set up with B. P. Schulberg to make the Mayer-Schulberg Studio

In late 1922, Mayer was introduced to Irving Thalberg, then working for Universal Pictures. Mayer was searching for someone to help him manage his small, but dynamic and fast-growing studio. At that first meeting, Thalberg made an immediate positive impression on Mayer, writes biographer Roland Flamini. Later that evening, after Thalberg had left, Mayer told the studio's attorney, Edwin Loeb, to let Thalberg know that if he wanted to work for Mayer, he would be treated like a son.

Although their personalities were in many ways opposite, Mayer being more outspoken and nearly twice the younger man's age, Thalberg was hired as vice president in charge of production at Louis B. Mayer Productions. Years later, Mayer's daughter, Irene Mayer Selznick, found it hard to believe that anyone "so boyish could be so important". According to Flamini, Thalberg was hired because, although Mayer was an astute businessman, he lacked Thalberg's strong ability to combine making films of quality with gaining commercial success.

Accusations of sexual abuse

Louis B. Mayer has been accused of sexual abuse, including having groped a then-teenage Judy Garland. According to Gerald Clarke's book Get Happy: The Life of Judy Garland, Mayer "held meetings with the young woman seated on his lap, his hands on her chest". In an interview with Larry King and in her autobiography, Shirley Temple claimed that Mayer "came on to" her mother while at the same time, Temple was in the adjacent office of Arthur Freed, who, she claimed, disrobed before her; she proceeded to laugh until he threw her out. At the time Temple was 12 years old.

Mayer reportedly pursued Jean Howard in hopes of establishing a sexual relationship, but without success. Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood, observed: "Mayer chased actress Jean Howard around the room. When she said, 'No way', and went off and married Charles K. Feldman, the agent, Mayer banned Charlie from the lot. For a long time after, he wouldn't allow any of Feldman's clients to work at MGM." In her autobiography, Esther Ralston recorded that her career was sabotaged by Mayer when she refused to sleep with him.

Family

Mayer had two daughters from his first marriage to Margaret Shenberg (1883–1955), which ended in divorce in 1947. The elder of these, Edith (Edie) Mayer (1905–1988), whom he would later become estranged from and disinherit, married producer William Goetz (who served as vice president for Twentieth-Century Fox and later became president of Universal-International). The younger, Irene (1907–1990), was the first wife of producer David O. Selznick and became a successful theatrical producer. In 1948, Mayer married former actress Lorena Layson Danker (1907–1985).

At home, Mayer was boss. "In our family, all the basic decisions were made by him", remembers his nephew, Gerald Mayer. "He was a giant.... Were we afraid of him? Jesus Christ, yes!" And although he never spoke Yiddish at the office, he sometimes spoke Yiddish with "some of the relatives", said his daughter Irene.

Mayer's activities for the Jewish Home for the Aged led to a strong friendship with Rabbi Edgar Magnin, the rabbi at the Wilshire Temple in Los Angeles. "Edgar and Louis B. virtually built that temple", said Herbert Brin.

Active in Republican Party politics, Mayer served as the vice chairman of the California Republican Party in 1931 and 1932, and as its state chairman in 1932 and 1933. As a delegate to the 1928 Republican National Convention in Kansas City, Mayer supported Secretary of Commerce Herbert Hoover of California. Mayer became friends with California Governor James Rolph Jr., Oakland Tribune publisher Joseph R. Knowland, and Marshall Hale. Joseph M. Schenck was an alternate delegate at the convention. Mayer was a delegate to the 1932 Republican National Convention with fellow Californians Knowland, Rolph, and Earl Warren. Mayer endorsed President Herbert Hoover's failed reelection bid.

During the 1934 California gubernatorial election Mayer was strongly opposed to the Democratic candidate Upton Sinclair, instead preferring the Republican Frank Merriam. Mayer's MGM and other film studios deducted a day's pay from their employees to raise an anti-Sinclair fund that amounted to $500,000. Irving Thalberg was to lead MGM's anti-Sinclair campaign and the studio recruited Carey Wilson to create a series of anti-Sinclair propaganda films. These films, directed by Felix E. Feist, included fake newsreels of Sinclair supporters who were portrayed as bums and criminals. They were shown in California movie theaters, with one episode featuring hired actors as Sinclair supporters speaking with foreign accents.

Mayer was a Freemason.